Saturday, 10 June 2017

The Summer Pots: Summer Rain, 2017, currently showing at Gallery 286, 286 Earl's Court Road, London SW5 9AS June 8th - 30th 2017

The Summer Pots at Gallery 286

A burst of sunshine illuminates a torrential summer rain and umbrellas in Oxford Street.

Ther is far less scrafitto on this pot than in earlier works. This one is almost all brush work.

Earthenware pot, coil built, approx 62cms high, slip-painted with clear glaze.

Saturday, 27 August 2016

Land and Skyscapes at the Contemporary Ceramics Centre, August -November, 2016

Five pieces showing as part of the Autumn Rotation at the Contemporary Ceramics Centre, opposite the British Museum, from August 1st - November 1st 2016. From the top: Hordley Swamp, (2016), 35 cms diam. Wootton Floods, (2016), 35 cms diam. London, Sledging at Broadwater Farm, (2015), 50cms diam. London, Autumn Fair, Hyde Park, (2015), 40 cms diam. Sun Setting After A Storm, London, Late Summer, (2015). 35 cms diam. All of these are shallow dishes, pinch-pots, slip-painted earthenware with scraffitto, and clear glaze. Top two are photographed by me, the bottom three are photographed by Sylvain Deleu.

Thursday, 14 April 2016

New and Recent work - These pots will be shown in 'Hidden', 6 Mason's Yard, SW1Y 6BU, September 2016, and at GAllery 286, Earls Court Road, SW5 9AS, November 2016

From the Top
Nightwalker, (2014)
Travelling West, (2013),
WW1 1915-6, Ararat to Albania, (2015),
Me with 'Drinking Hemlock' (2015), Postcard from the Caliphate in the background,
Me with Drinking Song for GAlloway, (2015,) as above,
Postcard from the Caliphate, (2016)
Postcard from the Caliphate, (2016)

Danse Macabre or Postcard From The Caliphate, (2015-16)

Danse Macabre / Postcard From The Caliphate, (2015-16)

This pot is all but finished. It has yet to be professionally photographed, and still lacks the lustre firing that will deepen some of the reds and help to vary the local colour and colour saturation.

No one likes Islamic State, or ISIL or The Caliphate, or whichever name we use. Lampooning IS is, well, therapy perhaps but it makes no difference. It works as satire but as serious social or political critique, attacking IS is hardly subversive by anyone's standards, unless, of course, the viewer just happens to be a supporter. The critique in this pot is aimed at what is currently referred to as the 'regressive Left.' It may also be called, the 'hard Left,' 'the pseudo Left,' 'the Apologist Left,' or just 'Nothing Left.' Again, call it what you will, it amounts to the same thing: that part of the British political Left which is apologist in its attitude and response to Islamism, which routinely appeases dictators and fascist or fascistic leaders, as long as they threaten America and/or Israel. In short, it is the Left-overs that have thrown their lot in the far Right.

The targets then are 'Stop the War,' (see the Stop the War jugs in this post,) George Galloway, Anjem Choudary, Julian Assange, Asim Qureshi and Moazzem Beg (CAGE), Yvonne Ridley,  and assorted fawning, selfie-taking, followers, who dance around the base of pot, genuflecting and group-hugging their idols, (thank you, Nicholas Poussin and the Golden Calf.)

The appeased leaders are: Vladmimir Putin, Bashar Al Assad, Sayeed Ali Khamenei, Kings Abdullah and Salman, (House of Saud),  Recep Tayyip Erdogan, Hasan Nasrullah, (Hezbollah), Khaled Meshal (Hamas), Abu Bakr Al Baghdadi, and assorted jihadis including Mohammad Emwazi. They all ride the Islamist Roundabout in one direction or another. The Islamist flag is depicted in butt-plugs - my thanks to the clever, imaginative soul who made the original for the 2015 London Gay Pride. I also salute Mark Gertler's magnificent Merry-Go-Round in this pot.