The C Word, (Because Craft is Art's C Word).

This is where I write about completed work and exhibitions. I also write occasional reviews.

Sunday, 28 September 2008

Crunching Credit, Ceramics in the City, Confrontational Ceramics, and the Collapse of global Capitalism.

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Jackpot!!! A veritable treasure chest of C words to add to the ever-expanding list. Ceramics in the City is now affectionately known at C in...
Monday, 15 September 2008

Tottenham Flower Show, 2008

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After all my proclaiming that a Tottenham Flower and Produce Show would be a very fine thing, if only someone would organise it, I find I’m ...
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Friday, 5 September 2008

Cabbages and Quilts: The Wootton Flower and Produce Show, 2008.

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Cabbages and Quilts: The Wootton Flower and Produce Show, 2008. Ra tatataaaaaa, drum rolllllll, ratatat, dum diddle dum diddle dum dum dum. ...
Thursday, 21 August 2008

The sequined insurgents

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And CAmel two three - and to the LEFT - and HIP circle, bottom OUT, half circle and SHImmy - and DUM diddy DUM diddy DUM diddy DUM, and CHES...
Thursday, 7 August 2008

Waking up, produce update, coming soon, and reflections on the C Word

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Yaaaaaaaaawn, streeeeeeeeetch, yoooooowl, stp stp stp. That’s better. The summer holiday flower show continues. The garden is now so irretri...
Monday, 7 July 2008

The C Word's Flowershow, Messy Tuesdays, Home Craft vs Gallery Craft and Taking a Break

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The C Word is just going to take a short break from posh gallery craft to get back to a bit of the other sort of craft, home craft, which in...
Sunday, 29 June 2008

Some thoughts on open studios and degree shows: Kingsgate Workshop Trust and University of Westminster

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There’s a delicious anarchy about these events. Open studios herald the annual clean up. Kilns are pressed into service as giant plinths, bo...
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About Me

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Claudia Clare
Artist who makes pots. Feminist - which often governs the decisions about what kind of pots to make. I also make pots with landscapes and roses and no discernible social comment. "Narrative, satirical, allegorical, and observational," according to Emma Ridgeway of Modern Art Oxford. I write - professionally - but it's not my main job. Author of 'Subversive Ceramics,' Bloomsbury 2016, and co-authored, 'The Pot Book,' with Edmund de Waal, Phaidon 2011.
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