The C Word, (Because Craft is Art's C Word).

This is where I write about completed work and exhibitions. I also write occasional reviews.

Sunday, 23 March 2008

The C Word, Seconds Away, Round 2: Class

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The Workhouse, the Slum, the Slum Landlord and the Eternal Waiting-Room. Some people are saying ‘the white working class’ has disappeared, s...

The Loathsome Peasant

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My first candidate for reintroduction is the character of ‘The Loathsome Peasant.’ I noticed the return of this character, dragged back from...

A Yorkshire Village and the Urban Peasant

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That Yorkshire village I mentioned provides a fine example of what I’m talking about. I was organising a community project which involved re...

The Workhouse

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Next in line for reintroduction, also with a nice flavour of the mid Eighteenth Century is the Workhouse. I live in Tottenham, an unlovely p...

The Slum Landlord

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Hogarth would be proud of our next candidate: The Slum and its cohort, The Slum Landlord. This comes complete with Gin Lane, or, more accura...

The Servant Class and The Criminal Class

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So we have the peasant, the slum dweller, the pitiful immigrant and the pitiless landlord. We are carefully reconstructing a labouring class...

Strangers in Citizens

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The obscene spectacle of a LABOUR GOVERNMENT adopting a policy of restricting some workers, criminalising others, recreating a ‘servant clas...
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Claudia Clare
Artist who makes pots. Feminist - which often governs the decisions about what kind of pots to make. I also make pots with landscapes and roses and no discernible social comment. "Narrative, satirical, allegorical, and observational," according to Emma Ridgeway of Modern Art Oxford. I write - professionally - but it's not my main job. Author of 'Subversive Ceramics,' Bloomsbury 2016, and co-authored, 'The Pot Book,' with Edmund de Waal, Phaidon 2011.
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